martinekenblog

martinekenblog:

Reuben Wu is a photographer and musician born in Liverpool, England. In his visual work he is primarily interested in hidden places which he has a subconscious connection with. Usually he travels where there is a sign of humanity in the landscape, for example a trace of history or a forgotten story. But his ‘Ultima Esperanza’ series is slightly different from that. It shows a popular hiker’s destination in which still was a presence of human intervention. ‘I was particularly engaged with my hike over Grey Glacier where stepping off the land onto a perilous sea of ice was an especially disorientating experience.’ His pictures of his tour seem striking and surreal, almost like shots from another world.

darksilenceinsuburbia

darksilenceinsuburbia:

Bryan Tarnowski. Emptied Gestures.

Utilizing her body movements, Heather Hansen creates breathtaking, large scale charcoal paintings. In 2012 she began experimenting with kinetic drawing and has been searching for ways to combine her passion for visual art and dance. The idea for the series ‘Emptied Gestures’ was sparked on a trip to the beach. Whilst dancing on the beach she noticed that the lines carved in the sand by her turns had an interesting quality. She explains her work as follows: ‘Emptied Gestures is an experiment in kinetic drawing. In this series, I am searching for ways to download my movement directly onto paper, emptying gestures from one form to another and creating something new in the process.’

Bryan Tarnowski Website  Heather Hansen Website

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archiemcphee

archiemcphee:

Japanese paper artist Nahoko Kojima (previously featured here) recently unveiled her latest work of paper art at the Jerwood Space in London. Entitled Byaku (Japanese for White), this awesomely delicate and intricate piece is a life-sized depiction of a swimming polar bear. It was made using a single 3m x 3m sheet of white Washi paper.

"Before she started to cut the animal figure, she crumpled the paper by hand to give it an uneven texture, creating a more faceted form than the smooth surface would have allowed.

The artist revealed to Designboom that she, ‘chose this particular Washi because it has less then 100% Kouzo content and this means that it subtly turns warmer in colour over time – this mimics the fur of the polar bear which based on my research goes through a similar change over the span of its life.’”

The ends of the bear’s fur form shapes of carp and waves, enhancing the appearance that the animal is swimming through water. Byaku hangs from the gallery ceiling and spotlights positioned overhead cast shadows onto a white plinth below, creating swirling patterns like reflections on water.

[via Designboom]